Tell us about yourself and what you do?
I’m a 31 year old human who’s obsessed with flowers and in perpetual awe of nature in general. I have a few different balls in the air at the moment, spending my days creating photographic floral works for my little print business, making music and now I’m just about to head back to uni (yikes) to do finish my masters.
How did Catherine Jensen Design start?
I started creating my floral prints a few years ago after being diagnosed with a movement disorder known as Dystonia 6, a genetic condition where your muscles start to work against the motions you're most practised at. I’d started having symptoms when I was 18 but because it’s quite rare, it took 8 years for doctors to figure out what was going on. I had many things to be joyful for during that period but it was also a really tricky time. I’d always been very active and loved working with my hands, and I could feel myself slowly becoming less capable of engaging in the things I love most. At the time of my diagnosis, I was in complete no man's land about what I wanted to do career wise, grieving for the life I thought I’d have and struggling to find purpose in my days. The prints where born during this time. I’d become a Christian a few years earlier and despite my confusion over what the future held, I truly believed (still do) that God loved me and and would work all these hard things together for blessing.
Spurred on by this faith, I started getting up every morning and praying that God would give me inspiration for the day ahead and he really met me in that. I kicked off drawing and then when my hand began stiffening up, I moved on to taking photos. I chose flowers as my subject because I was spending my days surrounded by the most beautiful blooms as I worked away in my parents back garden. I became utterly entranced by the abundance of different colours, shapes, textures and seasons that made each flower unique in its beauty, and decided to create a series of works that reflected these characteristics. I wanted to try and share with people what I was seeing when I looked at each individual flower. However strangely, it's through this creative process that I became more able to trust the way God’s made me and rest peacefully in the knowledge that just because my disorder has changed my shapes and colours, it doesn’t make them any less beautiful or void them of purpose. They've just changed the way I bloom. Corny but oh so true. My hope for these prints is that they would uplifting, bringing a little bit of peace and a simple dose of beauty to the lives of those who acquire them.
What kind of flower brings you the most joy?
It’s so hard to choose just one! But if I had to it would be the Wisteria in all its colours. I love the way they climb and entangle themselves around an arbor or pergola, and how the flowers fall from the branches. It looks straight out of a fairytale.
What’s your creative process?
It usually starts with me having an idea and developing a clear picture of what I want to create in my head. This is followed by a series of photographic iterations and digital editing that goes on until I’m happy with the result. Sometimes it takes a couple of hours and sometimes a couple of days.
A fun fact about yourself?
I still love climbing trees. I don’t understand why people stop doing this post childhood. It’s pretty darn fun!
When or how do you feel most inspired to create?
Hard to say, because it’s something that ebbs and flows so much for me. I do think though that the times where I’m most inspired to create are born of moments where I’m stirred emotionally to joy, sorrow or anything in between, by various personal or collective circumstances.
How would you describe your aesthetic?
Minimal and colourful.
If you could choose any vocation in the world which would you choose?
A film composer or some kind of writer.
Who are some other artists that inspire you?
From musicians to filmmakers, writers, visual artists and performers, I'm inspired by so many different kinds of art and artists. At the moment I'm obsessing over a brass quartet called The Westerlies. I've been playing 'Robert Henry' on repeat. In visual arts, the melodramatic old hollywood creations of photographer and film maker, Alex Prager are current favourites of mine.
How has COVID affected The Arts Industry, I’d love to hear your thoughts on this?
With a lot of arts workers in freelance, contract and casual roles the industry's been hit pretty hard across the board. It's a tough time for us, as with so many other sectors. It's not all doom and gloom though, I do have a few illustrator friends who actually say they're busier than ever. I guess one of the results of people having more free time is that they're finally getting around to starting projects they've been putting off. I think it's encouraging that amidst the job losses there are still little pockets of growth. I'm really interested to see how the industry continues to adapt and rebuild throughout and post pandemic. There's an old english proverb that says "Necessity is the mother of invention" which basically means that the greatest innovations are often rooted in need. Creative's are nothing if not innovators, so while the industry and our roles along with it may be changing, I'm confident that we'll be able to evolve with it. And who knows, maybe this pressure cooker we're all sitting in will bear some of the greatest art and innovation the 21st century has seen.
